The Folias have gone through many changes in style and interpretation in the centuries since. Originally, the Folias - or Follies - were a kind of Iberian version of English Morris dancing: men, dressed up like women, behaving extravagantly. Though the work was composed early in this decade, Sierra (born in Puerto Rico in 1953 and now on the music faculty at Cornell) based it on a Portuguese dance tradition much older than Vivaldi. Roberto Sierra wrote his Folias for Guitar and Orchestra specifically for Manuel Barrueco. It was a tactical move, Barrueco admitted at the time, to play this familiar Vivaldi work: It's lovely, and the very definition of a crowd-pleaser, but Barrueco was less interested in this music than in the effect he could create with his next move.īut the question is: Which way did he move? In this concert, led by British conductor Paul Goodwin, Barrueco opens with Antonio Vivaldi's 18th-century Guitar Concerto in D. Time-traveling has never been as easy, or as enigmatic, as in these two offerings by the Saint Paul Chamber Orchestra and Cuban-born American guitarist Manuel Barrueco. He performed the world premiere of Roberto Sierra's Folias in Spain in 2001. Manuel Barrueco's commitment to new music helps extend the repertoire for classical guitar.
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